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Leapin' Lizards! Twelfth Night finished at Open Air Theatre on June 8, 2024

Twelfth Night

Leapin' Lizards! Twelfth Night finished at Open Air Theatre on June 8, 2024

Why see Twelfth Night?

Better A Witty Fool, Than A Foolish Wit

Coming to Shakespeare's Globe as part of the 2025 Summer Season is Shakespeare's delightfully spirited tale of Viola, a shipwrecked orphan who takes matters into her own hands when stranded on the shores of the ancient isle of Illyria. Viola assumes the disguise of a man just to find her way, but when that disguise lands her in a love triangle, she has no choice but to hold on as the hijinks flow. Love, laughter, and delight shine on all corners of the Bard's madcap masterpiece.

Want to see how the production would have been staged in the 17th century? Don't miss this stripped-back set performed by a versatile troupe of actors!

Including Shakespearean mainstays - mistaken identity, mischeif, gender-bending, a shipwreck and of course - his deft wit, it's a testament to the universality of his genius that four hundred and twenty-something years have done nothing to dampen the buoyancy of the hilarious rom-com that is Twelfth Night.

Reviews

Customer reviews

Adam Sutcliffe

Eclectic mix of styles really gels in joyful staging

Don't be put off my the discarded tyres, wreck of a pick-up truck, tumbleweed and badlands vibe that dresses the stage - this is a production which shines a glorious light on the text and brings out every character as fresh and real - and contemporary - in front of our eyes. The infectious humour of Sir Toby Welch and his (her) late night drinking party had the whole audience clapping along and laughing - and within moments we are moved by Caesario's torn emotions, laughing at Malvolio's hilarious reactions to the faux billet doux, and altogether enraptured by the fantastic flow of this ever-popular play. At a touch over two and a half hours it is a long sit on hard benches without an interval and whilst I loved the gentle text-expanding pacing at the start our backsides were paying for it by the end. ... Read more

Julia Brookes

A Malvolio Beyond All Others

Despite a weak Olivia, (which means a few dreary conversational scenes with Cesario that you really just can’t wait to have over), this production sparkles and roars and has a Malvolio who perfectly combines dignity and pathos and malice. A Malvolio who is us. The production also has one strange, irreplaceable, invisible player: the genuine spirit of theatre. ... Read more

Anonymous

Terrific evening out

The show was a delight from start to finish. We saw Maya Wasowicz in the role of Viola (as Nancy Carroll was unwell), and she was outstanding. What a rare talent! Hope to see her in more roles in the future. (and we heard every word) ... Read more
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