Love, trust a few, do wrong to none...

It's strange to consider that there is a rarely performed Shakespeare play, but All's Well That Ends Well is certainly a rare gem! A thriller that explores the pitfalls of unrequited love, courtly life, sexuality, and gender roles, enjoy this brand new staging from The Globe, from director Chelsea Walker, produced in the candlelit Sam Wanamaker Playhouse this winter.

What is the story?

Considered one The Bard's problem plays in that its ending is reached with more moral quandary than say, A Midsummer Night's Dream, or Twelfth Night, All's Well That End's Well begins with our heroine, the resourceful young Helena, chasing the uninterested man of her dreams, Bertram, to the French court where he is tending to the dying French King. Offering her services as a daughter of a Doctor, Helena makes a deal, if she cures the King, she can marry who she wants. Unsurprisingly, her plan works, but Bertram's affections can't be won by a deal. Unperturbed, Helena sets out to truly win over Bertram, at any cost.
Some of Shakespeare's most inventive language gives life to not just his single-minded heroine and her churlish lover, but a fantastic cast of frauds, cynics, sentimentalists, and buffoons.