A remarkable show. The compelling fusion of historical depth and contemporary relevance, coupled with a stunning score and engaging plot, made for an unforgettable experience. The characters were authentically portrayed. The costumes and setting were exquisite. Being there for the opening night was a privilege; this is destined for greatness.

Stiletto at the Charing Cross Theatre is unlike anything I’ve seen in a while. Set in 18th-century Venice, it tells a powerful story of ambition, love, and identity—with some truly stunning performances and gorgeous music. The cast is fantastic, the costumes are lush, and the whole thing feels fresh and original. It’s emotional, thought-provoking, and full of heart. If you’re up for something new and a bit different, Stiletto is absolutely worth a visit.

For me, the performance of Stiletto is much less than the sum of its parts. It has an experienced creative team, and the acting, set, lighting and costumes are excellent. The musical numbers are fine, though often at odds with the dramatic mood - and it is particularly disappointing that a musical about the operatic scene in 18th Century Venice has absolutely no recognition of the music of that period (apart from some background harpsichord music during scene changes). Marco, the lead character, is supposed to be a castrato, but sings in a tenor voice. The underlying theme is sexual relationships, but the book is treats them in a 21st century and often clumsy way. A production with such a large cast (17) and orchestra (12) would normally be on a West End Stage. The programme curiously (and perhaps tellingly) says nothing about concept for the musical, and how it was developed. I give Stilletto 7/10 on the 'Bernardette Scale' (where Bernardette de Lourdes gets 10/10 as a failed musical)