In a promotion from Viscount Bridgerton to the King of England, Jonathan Bailey returns to the stage in 2025 in Nick Hytner's newest production for The Bridge Theatre. Bailey will star as the titular monarch in Richard II, the first of Shakespeare's tetralogy of plays about the wars of succession during the Middle Ages, otherwise known as the 'Henriad'.

It's back! After sell-out runs in London's West End, Lloyd Webber and Tim Rice's Amazing Technicolour Dreamcoat is being donned once more for a fantastic jaunt around the country. Having now surpassed its 50th birthday musical theatre fans will be delighted that Joseph and his extravagant threads are back on stage where they belong once more.

The second play in The Jamie Lloyd Company's much anticipated Shakespeare season at the Theatre Royal Drury Lane, join Tom Hiddleston and Haley Atwell as they play the 'merrily warring' will-they-won't-they couple Benedick and Beatrice in the Bard's witty romantic comedy. Much Ado About Nothing reunites the director and Hiddleston following their collaboration on Harold Pinter's Betrayal in 2019, an experience Tom described as "one of the most fulfilling and meaningful experiences of my performing life." Adding "I could not be more thrilled to have been given the opportunity to collaborate with (Lloyd) again, this time on one of Shakespeare's most warm-hearted and joyful plays"

Two-time Tony Award winner John Lithgow reprises his 2025 Oliver nominated role as Roald Dahl on the West End stage in this vital portrait of the author and his widely publicized antisemitic views, directed by Nicholas Hytner. Described by playwright Mark Rosenblatt as an "uncomfortably funny, urgent and provocative night in the theatre", the drama takes place at the height of Dahl's best-selling career, concerning the fallout from his interview with The New Statesman.

Imelda Staunton makes a welcome stage return in 2025, alongside her daughter Bessie Carter (Bridgerton) in George Bernard Shaw's Mrs Warren's Profession. Once banned for three decades under Lord Chamberlin, Shaw intended the play to address prostitution in the era, and to: "draw attention to the truth that prostitution is caused, not by female depravity and male licentiousness, but simply by underpaying, undervaluing and overworking women", as played out when Vivie Warren (Carter) returns home from university to discover her mother Kitty's (Staunton) true profession as a brothel madam.

The Ministry of Lesbian Affairs is an uplifting musical returning after a sold-out premiere at Soho Theatre! Written by award winning playwright Iman Qureshi (The Funeral Director) and directed by the Olivier-nominated Hannah Hauer-King, its a joyous work described as warm, complex and riotously ambitious' by TimeOut.